![]() ![]() ![]() Influenced by John Cage, the score consists of large pages divided into squares of enigmatic instructions for the four vocalists: Sharp stabbing sounds and. It wasn’t until an obituary appeared in The Village Voice eight months later that his friends and colleagues got the news. playing John Cage, Morton Feldman, Cornelius Cardew, Alvin Lucier. When Julius Eastman died in 1990, almost no one knew. The Performers: Nicolas Horvath, pianist and electroacoustic composer Melaine Dalibert, a French composer and pianist Stephane Ginsburgh, a tireless surveyor of the repertoire but also explorer of new music Wilhem Latchoumia, embraces both new music and the classical repertoire with success and charisma. Julius Eastman is an African-American composer, singer, pianist, dancer and performer. His collaborators included John Cage, Morton Feldman and, importantly, Lukas Foss who, in his position at the State University of New York at Buffalo, presided over the Center of the Creative. He was found dead in 1990, on the streets of Buffalo, after years of vagrancy. The Song Books consist of 92 pieces, many of them koan-like instructions to the performers that leave much to interpretation. During Winter of 1981-82, he got deported from his apartment by the police, who destroyed most of what he owned - including scores and recordings. Julius Eastman, one such Creative Associate, was performing part of John Cage’s 1970 masterpiece Song Books with Cage himself sitting in the audience as a member of the experimental S.E.M. John Cage famously publicly admonished Eastman after a performance of the elder composers Song Books, about which George. He was politically committed, a figure of queer culture and a solar and solitary poet whose melancholy influenced his genius as well as his tragic destiny: suffering from various addictions, declared missing, actually homeless. In the 1970s and 1980s, Eastman was one of the very few African-Americans to gain recognition in the New York avant-garde music scene. Only Julius Eastman remained outside the game, the last figure, the most solitary and enigmatic - undoubtedly also one of the most powerful, and it is this power that is revealed through these recordings. ![]() Julius Eastman: There was some for John Cage, then came Christian Wolff, and finally Morton Feldman, from this school in New York. After the historical version recorded forty years ago, this one, featuring four of the greatest European performers, is now regaining its full power. Four Pianos (1979-80): It is recognized today that these tutelary pieces for four pianos are among the most powerful in contemporary music, their impact is almost unparalleled. A companion of John Cage and Morton Feldman in 1960s New York, Julius Eastman mixed canny minimalist innovation with head-on political provocation, and should really be regarded as one of the greats of contemporary composition. ![]()
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